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The Glass House Brick Bay 24 views ♡
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$295Simon Lewis Wards - Glow Heart CandySimon Lewis Wards is an Auckland-based artist widely known for celebrating youth and kiwiana in his art. His Glow Hearts make a sweet and playful reference to the lollies bought from the corner dairy and fit within his wider practice of using the cast glass and cast ceramic techniques to create pop...Visit Store 0 0 -
Giant Knucklebones2020Cast Concrete1500 x 1000 x 500mm each (approximately 300kg each)Simon Lewis Wards’ work is synonymous with childhood nostalgia. Of growing up in Aotearoa in the second half of the 20th century, of sweets and games, $1 lolly bags, playing with the neighbourhood kids outside in the long summer e...Visit Store 0 0 -
Urns For Unwanted LimbsGreen Toes, 2022Clay, pure gold and resin700mm x 400mm x 500mmPrice on requestProudly presented in association with Gow Langsford Gallery.As Objectspace Director Kim Paton notes, “the act of describing artist Virginia Leonard’s ceramic sculptures is a scramble for adjectives. A word grab for sou...Visit Store 0 0 -
Red Bed2017,Ceramic, lustre and resin,1100 x 400 x 400mm Virginia Leonard's evocative ceramics shift between alien landscapes and honest self-portraits, addressing her experiences of chronic pain and bodily scarring. "I have sought a voice for my own pain. These objects are my body".In 1986, Virginia had a...Visit Store 0 0 -
Cream2017,Ceramic, lustre and resin,1100mm x 400mm x 400mm Virginia Leonard's evocative ceramics shift between alien landscapes and honest self-portraits, addressing her experiences of chronic pain and bodily scarring."I have sought a voice for my own pain. These objects are my body".In 1986, Virginia ha...Visit Store 0 0 -
The Symphony Of Worth And WorthlessnessThe Symphony of Worth and Worthlessness, 2021Porcelain, stoneware, glazes, resin, stainless steel480 x 1200 x 800mmAt first appearing as the remnants of a forgotten project or the ruins of an illegally dumped rubbish pile, the encounter with Marita Hewitt’s Symphony of Worthlessness might evoke an...Visit Store 0 0 -
Harmony2019,Carrara marble, granite base, corten steel plinth,2500 x 500 x 500 mm Johnny Turner’s sculptures are about essence, the intrinsic nature of something, and in their minimalist form they are symbolic of much deeper relationships between humans and the environment. He says of his most recent wor...Visit Store 0 0 -
Alpha, 2016,Granite, 2380mm X 615mm X 720mm In Johnny Turner's new sculpture titled: - The Beginning, the artist addresses issues and concepts based on the origins of life, the universe and time. Light is highly referenced in the creation myths of many cultures and in Maori mythology, the primal couple R...Visit Store 0 0 -
Timekeeper2017,Granite, 1930mm X 440mm X 150mm Johnny Turner is a self taught artist who sculpts in granite and hard metamorphic rock.a reference to the passing of time, both universal and personal. Its form is a combination of the hand of 'nature' and the hand of man. In Japanese sculpture, artists call the...Visit Store 0 0 -
Cosmos2020,Blue-grey granite, corten steel,1960 x 330 x 75mm (2960mm high including corten steel base) The most recent sculpture at Brick Bay by Johnny Turner is titled. It was designed with the viewer and the act of looking in mind. When first observing the eye is drawn up the 3metre length of granite wh...Visit Store 0 0 -
Mountain Pose2007Stone2300 x 1500 x 1500mmCones and cairns have long held a fascination for Ian Boyle. Built simply from piles of stones and placed along walking trails, often in remote areas, they have both strength and vulnerability. To a traveller they can feel rather like familiar old friends. They become be...Visit Store 0 0 -
ScatteredCast bronzeSeed Pod - 2100 x 1300 x 1240mm; Seed - 870 x 400 x 420mmFiona Garlick’s practice is concerned predominantly with the environment, referencing the postcolonial landscape and the tensions between introduced and native species of flora and fauna within New Zealand.was created as an homage...Visit Store 0 0 -
A Stick of First Rate Quality2008,Manila rope and Kauri Climbing the Brick Bay trail through the tall kauri, visitors suddenly find themselves amongst shrouds and ratlines of manila rope which tail into coils underfoot. These signal Fiona Garlick’s transformation of a living kauri into the mast of an eighteenth century sailin...Visit Store 0 0 -
Aotea - The White CloudAotea (The White Cloud), 2016Aluminium7000 x 1400 x 950mmFilipe Tohi was born in Ngele'ia, Nuku'alofa, Tonga, and immigrated to New Zealand in 1978. Tohi is a tufuga lalava, an expert in the Tongan art of binding with Coconut sennit.Tohi's sculpture titled Aotea (The White Cloud) takes on the high p...Visit Store 0 0 -
My First Ten Thousand Course CorrectionsMy first ten thousand course corrections, 2023Welded corten steel2800 diameter x 520 deep Proudly presented in association with Gow Langsford GalleryDavid McCracken’s practice often concerns elevating humble, everyday objects into memorable, large-scale sculptures. He started sculpting in his earl...Visit Store 0 0 -
I-Beam2006,Aluminium, 1240 x 600 x 3360mm David McCracken’s I Beam is basically a fabrication of a massive section of a universal beam or RSJ, a commonly used form in the construction industry. The Brick Bay work is the final piece in a series that David McCracken has developed around the theme of ‘po...Visit Store 0 0 -
Incendiary2009,Stainless Steel, 2200 x 600 x 600mm Strong, playful, immaculate, Artwork is a bomb, partner to the rocket Squeeze Me (Offensive) at Brick Bay.An admiration for the aerodynamic purity and formal beauty of the 'grand slam' bombs and rockets designed by Barnes Wallis during World War II motivated...Visit Store 0 0 -
Involute and Transmission2013,Corten steel, 2200 x 2920 x 500mm David McCracken’s depicts a large, looped form with raised ridges, like the cleats of a caterpillar tread or an immense driving belt. By taking the utilitarian vernacular object such as the bulldozer tread, McCracken embodies a transformation from the mundane...Visit Store 0 0 -
Orange Bomb2015,Stainless steel, paint, 1200 x 600 x 600mm David McCracken’s was born out of an admiration for the aerodynamic purity and formal beauty of the 'grand slam' bombs and rockets designed by Barnes Wallis during World War II.As McCracken himself says: “I have a strong drive to make beautiful obj...Visit Store 0 0 -
Portrait of Mass and Columnar2014,Corten steel, stainless steel, 1200 x 600 x 600mm David McCraken’s work unveils an intriguing balancing act between the blunt, raw physicality of his material and the more sensorial effects of elegant form and height. Taking the familiar monumental form of the monolith, towers above us as we...Visit Store 0 0 -
Portrait of Mass and Transmission2012,Corten steel, 2400mm x 220mm David McCracken’s depicts a large, looped form with raised ridges, like the cleats of a caterpillar tread or an immense driving belt. By taking the utilitarian vernacular object such as the bulldozer tread, McCracken embodies a transformation from the mundane to t...Visit Store 0 0 -
Squeeze Me2012,Stainless Steel, 2200 x 600 x 600mm Strong, playful, immaculate, (Offensive) is a rocket, partner to the bomb Incendiary Artwork at Brick Bay.An admiration for the aerodynamic purity and formal beauty of the 'grand slam' bombs and rockets designed by Barnes Wallis during World War II motivated...Visit Store 0 0 -
Commemorative Plaques2008Bronze plaques, stoneApproximately 330 x 500 x 300mm eachDane Mitchell’s work regularly asks us to check our convictions, in serious tones and without a comic guide to cue our response. Convictions are not just those things we hold dear, the clarity of right and wrong, but the sense of occasio...Visit Store 0 0 -
Te Waimate2015Basalt Stone, galvanised steel and concrete foundations6550 x 450 x 450mmChris Booth is an artist who creates a harmony between the delicate properties of balanced pebble formations and the colossal, towering effects of rocks and boulders. Sculptural assemblages such as are often set in the land...Visit Store 0 0
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