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Public Record is not disposable or temporary, it is a catalogue of work that is intelligent and finished with highly craft, from materials that last life times. Work that is refined, considered and designed to enhance spaces, without shouting from the walls. Objects that will be passed down through generations
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  • Untitled 2019_2
    $1,500 +
    Untitled 2019_2
    Through her work, Kaihori explores the materiel nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience’s experiences. The surface tension of the paintings attempts to bring the viewer’s attention to the surface of the ...
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  • Untitled 13
    $500 +
    Untitled 13
    Through her work, Kaihori explores the materiel nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience’s experiences. The surface tension of the paintings attempts to bring the viewer’s attention to the surface of the ...
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  • Untitled Oil Painting I, at Lockdown
    $1,400 +
    Untitled Oil Painting I, at Lockdown
    Through her work, Kaihori explores the materiel nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience’s experiences. The surface tension of the paintings attempts to bring the viewer’s attention to the surface of the ...
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  • Time capture II
    $600 +
    Time capture II
    Through her work, Kaihori explores the materiel nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience’s experiences. The surface tension of the paintings attempts to bring the viewer’s attention to the surface of the ...
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  • Islands
    $500 +
    Islands
    Through her work, Kaihori explores the materiel nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience’s experiences. The surface tension of the paintings attempts to bring the viewer’s attention to the surface of the ...
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  • Untitled - 4
    $2,200 +
    Untitled - 4
    Through her work, Kaihori explores the materiel nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience’s experiences. The surface tension of the paintings attempts to bring the viewer’s attention to the surface of the ...
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  • Untitled - 5
    $1,300 +
    Untitled - 5
    Through her work, Kaihori explores the materiel nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience’s experiences. The surface tension of the paintings attempts to bring the viewer’s attention to the surface of the ...
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  • Untitled 2019_10
    $2,200 +
    Untitled 2019_10
    Through her work, Kaihori explores the materiel nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience’s experiences. The surface tension of the paintings attempts to bring the viewer’s attention to the surface of the ...
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  • Untitled 2020 - gold
    $2,200 +
    Untitled 2020 - gold
    Through her work, Kaihori explores the materiel nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience’s experiences. The surface tension of the paintings attempts to bring the viewer’s attention to the surface of the ...
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  • Untitled (Alder Gold), 2021
    $1,550 +
    Untitled (Alder Gold), 2021
    This painting is prepared with Japanese traditional painting technique of mounting Japanese paper on the panels. Most of them are oil paintings (Gold one/ Dark Brown ones) on Japanese paper. Whiting is a traditional western primer used to prepare the canvas for the oil painting. The works are made...
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  • Untitled, with gauze 2021
    $1,500 +
    Untitled, with gauze 2021
    This painting is prepared with Japanese traditional painting technique of mounting Japanese paper on the panels. Whiting is a traditional western primer used to prepare the canvas for the oil painting. The works are made using traditional painting tools of both the west and Japanese paintings. Tho...
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  • Untitled - 2020
    $1,800 +
    Untitled - 2020
    Through her work, Kaihori explores the materiel nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience’s experiences. The surface tension of the paintings attempts to bring the viewer’s attention to the surface of the ...
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  • Untitled, (whiting on Japanese paper) 2021
    $2,300 +
    Untitled, (whiting on Japanese paper) 2021
    Untitled 2021 by Yukari KaihoriWhiting is a traditional western primer used to prepare the canvas for the oil painting. The works are made using traditional painting tools of both the west and Japanese paintings. Those works reflect the theme of cultural, temporal and physical “in- between-ness": ...
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  • Untitled 2020 (oil on Japanese paper)
    $1,500 +
    Untitled 2020 (oil on Japanese paper)
    Through her work, Kaihori explores the materiel nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience’s experiences. The surface tension of the paintings attempts to bring the viewer’s attention to the surface of the ...
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  • Untitled, 2021 (Acrylic and oil on primed panel)
    $1,700 +
    Untitled, 2021 (Acrylic and oil on primed panel)
    Untitled 2021 by Yukari KaihoriThrough her work, Yukari explores the material nature of paintings as a means to consider the ontology of things and spaces, responding to it as an interior space for the audience's experiences. The surface tension of the paintings attempts to bring the viewer’s atte...
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